|
due
to vertical living The normality of social housing is stamped by horizontal thinking- and movement-structures. On the other hand vertical thinking is an unusual experiment. Because of its uniformity and steadily repetition of its components it is possible to get lost in system of wbs 70 in exactly the same way as in impenetrable system of cityspace. Dosto is a try to get exit, a metamorphosis of popular communication- and movement-structures. A dérive is pracised, the disperse, where an aimed subversion of plan of space takes place. For us it is a matter of participating observations and cultural strategies to exercise with reasonable care on empty cities and slab-buildings, as well as an unavoidable process of shrinking; to overcome difficulties mentally and socially. Catalyse a slab-occupation by urban-professionals in european metropolis. Lets think at exposure to empty slabs and slabcities in a holistic sense. Do the works of art act as decoration of facades, do they ornament the slab-buildings, like surrounding housing societies achieve with their projects on "art at the building"? Did dosto transform from modelmind to productmind and therewith into focus of pop-culture? Are works of art, as mostly with a difficult of access, and to greatest possible extent without benefit, practical to give solutions about how to keep good company with slab-buildings? Do we notice a real transformation of space in a material sense, and therewith fulfilment of an architectural thinking, or underlies metamorphosis a framework of social space. Dosto refers
its self-conception out of thinking in context of a reallab in terms of
Ulrich Beck. We provide
development of central spatial junctions and disregarding urban waste
areas.
|
||||||||
|
INSTITUT FUER RAUMFRAGEN 2004 |
|
||||||||